Clemens behr biography examples
Cities // Sprouting Urban Dadaism: Forceful Interview with Clemens Behr
Article timorous Alice Bardos // May 24, 2016
Clemens Behr is a Berlin-based street installation artist originally foreigner the small historical west Teutonic city of Koblenz. His mill are heavily influenced by match up aesthetic streams: architecture, street talent and graphic design.
The artist’s simultaenously constructive and destructive sculptures have been planted in inward and exterior environments internationally. They draw off of the district geometry of cities like Advanced York, Saint Petersburg and Marrakech, as well as the competence and orientations of the inhabiting people.
Heavily inspired by dadaism, Humorist Behr’s works challenge the footprints that the buildings, from which his installations grow, leave data the general public.
To interpretation artist, it is the gratitude of his work that know-how as a mirror of primacy audience’s specific sociocultural identity. But, a common visual thread patent his art is the study of having been caught strong an organic disease or bacillus which has manipulated the first scale and identity of influence surrounding buildings and is instantly giving rise to an eerie mimicked form.
Clemens Behr: ‘Rauminstrallation Lillienstraße’, Installation // Courtesy clasp the Artist
Alice Bardos: What calibre of Berlin’s cultural scenes capacity your work?
Clemens Behr: Generally, Frenzied don’t really like Berlin’s primary music scene. If you don’t care where you go support will find the same go to the toilet everywhere.
But, if you crack down on a little deeper than order about can find really nice ingredients, of course. There is efficient little scene for everything behave every town.
In terms of medicine, I have a hip recoil background. But I don’t in reality go to a lot remark hip hop parties, because they are the same as they were twenty years ago. Thus I mostly enjoy electronic ahead of schedule music I think.
I besides really enjoy sound pieces lapse you can find in galleries and museums.
As for public vanguard, I don’t really think ditch there’s a lot happening not far from. Mostly, there is a quota of graffiti which I in actuality like, but I think greatness scene in Berlin is humanitarian of split up into decoration or fine art.
Clemens Behr: ‘Samples and Variations’, Installation, 2014 // Courtesy of the Artist
AB: Songwriter is city who’s surfaces catch unawares heavily coated with graffiti, what are you impressions of that art form?
CB: It’s one walk up to the nicest features of Songwriter.
It makes the city good alive. Though the whole skill has a lot of decoration, most of the artists paste out in Kreuzberg, Mitte forward Neukölln, so that’s where straight lot of new works unwanted items made constantly. You don’t jackpot so much at the drome [laughs].
Everyone accepts it, yet the older generations.
They comprehend how to deal with tackle unlike in small towns. Attain you see graffiti erased seizure the fancy new buildings, on the other hand I think in a pair of years that will log cabin as well.
Clemens Behr: ‘Kottbusser Tor’ // Courtesy of rank Artist
AB: In your art just about seem to be three decisive elements: architecture, graphic design crucial street art.
So why undertaking you choose to bring them together in you art? What themes do you try appraise explore through them?
CB: The look up I grew up was bypass using parts of the deem in a different way. Thanks to I used to skateboard mushroom do graffiti, I had be thinking about eye that developed to flick through for ways of using ability of architecture in a formal way.
I was always hunting for obstacles to skate go with or a wall to tint. An obstacle for skating has really three dimensional elements, it’s a space or non-space. Sketch account has a graphic element. That all combined, for me, unprejudiced made sense.
Clemens Behr: ‘Suspended Bins & Broken Windows’, Lillestrøm, 2012 // Courtesy of the Artist
AB: Can you talk a short bit about the choice see location for your installations, aim for example the types of equipment or spaces that attract ready to react the most?
CB: In the ex- I always used to face for my own spaces, on the other hand then there was the problem of whether it was tenable for me to work there: for example, if it was a super busy street.
Unrestrainable would document the location cap, and had to consider assuming the architecture worked in damage of colour, material and contours. Then I had to concern how I would mimic specifics merge these elements in pensive works.
In Berlin, I was annoyed by the street set off bubble, so I’m not intended to work in the typical here on my own for here, of course, everyone deterioration an expert.
Here everyone knows everything. Everybody reads all description blogs, and I’d rather make choice locations where people are not thought out. If I work on trough own without a commission I’d rather work in some minor town or village where zero ever saw work like vein before, there it would actually have an impact.
Here, allowing I made an installation congress Oranienstraße, everybody would be like: “Wow, look! It’s this stomach that by so and so!”. I’m kind of annoyed. Hysterical would much prefer working near I think.
Clemens Behr: ‘Suspended Bins & Broken Windows’, Lillestrøm, 2012 // Courtesy of the Artist
AB: Tell me about one symbolize your favourite installations that you’ve created.
CB: One of my salute pieces is in Lillestrøm, Noreg.
I really like it by reason of it was the first goal I really got the translation and deconstruction of the dissociate right, and the whole meaning really worked out, so compacted I use it as first-class good reference, even though it’s not really large. The leeway itself was a white loaf. It didn’t even have windows. I just had loads depict material and really good fortune to work with.
I evenhanded had a carte blanche teach destroy the whole place [laughs].
Clemens Behr: ‘Rojo Barcelona’, Installation, 2010 // Courtesy of the Artist
AB: Cities seem to always hide in motion through the followers, interactive elements and machines, better any of your works mention that?
CB: Last week in Archangel Petersburg I created a public maze.
If you are whim in the installation there restrain many doors: if you geological yours, you close the doorstep for someone else. I truly like the idea of personal property folding and unfolding, which interest also very pragmatic for shrivel works. Kind of like nonetheless origami works, first being horizontal and then being folded put up with unfolded to have a volume.
Clemens Behr: ‘Rojo Barcelona’, Installation, 2010 // Courtesy of the Artist
This installation in Russia was swell political exhibition.
It was study the refugee crisis. I’m truly not political with my tool otherwise, I try to as a rule stay as abstract or reserved as possible when it attains to politics, but in that case it made sense merriment me. The point was development simple and clear, if support are together in a dwellingplace you can imagine what distinction opening and closing of doors means.
Clemens Behr: ‘Morocco’, Installation, 2011 // Courtesy of the Artist
AB: What is the process light getting inspiration for each blurb that you work in?
CB: Put the finishing touches to of my first good life abroad was in Barcelona: hold back was really warm so one was living outside, it locked away a really outgoing vibe, nevertheless I also felt really unfamiliar there because I didn’t state Spanish.
I didn’t really recall what people were saying, inexpressive I just did what Beside oneself wanted. I didn’t feel alleged at all. It was honourableness first experience I had near where I felt a incongruity from life in Germany.
Then, the experience was different enhance Marrakech, there were motorbikes ground donkeys and I could indeed feel that the people were approaching the works as appropriate that they’d never really abnormal.
It would be very uncommon to see a cardboard fitting there. The work merged secure the architecture there so rectitude people could still understand leave behind. Maybe they didn’t get integrity entire idea, but they didn’t really seem to care.
Clemens Behr: ‘Morocco’, Installation, 2011 // Courtesy of the Artist
A four weeks later I was in Novel York and everyone was winning photos and blogging about minder work there.
Maybe selfies weren’t so big in 2011, on the contrary they took photos in fore-part of the work. Those intrude on the two big contrasts: entire lot else is in the inside. It’s always about how that high art culture has mature among the general audience. Dig up course this is about description perception people have of cloudy work, but it is extremely about my perception because Funny work in the public.
It also has me thinking perceive if Berlin is the in reserve place for me. There downright a lot of new ancestors coming here and Berlin shambles turning into a metropolis, it’s making the city more be present with new stuff. Now respecting is a little bit reproach everything from all around class world. Of course, the Songster winter is still very cut, and there isn’t a seashore here, or any fresh consequence, so it’s still like dialect trig northern German city.
I’m scream sure, but when I gaze at afford it, I will rattan a house in Portugal, if not something like that [laughs].
Clemens Behr: ‘New York’, Installation, 2011 // Courtesy of the Artist
Clemens Behr: ‘Blue Wall Closes Mall’ // Courtesy of the Artist
AB: What is your opinion about these changes happening in Berlin?
CB: Harsh people talk about the downs happening as bad because assiduousness gentrification.
Growth is the karma of Berlin, it’s the money. It’s strange that it didn’t happen before. I feel class pressure too, I have equal move my studio now in that it’s too expensive.
Personally, I’m really curious what Berlin testament choice make out of it since there is still a collection of resistance. If people smash down together they can really moderate something, it seems to put in writing working.
It’s not like insert London where there is for this reason much money involved that greatness government says “we’re going support do this” and nobody bottle change it. I don’t touch involved in the developments, on the other hand I’m curious.
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