Polixeni papapetrou biography examples
Polixeni Papapetrou
Australian photographer (–)
Polixeni Papapetrou | |
---|---|
Polixeni Papapetrou with her productions at a show at Melbourne's Nellie Castan Gallery | |
Born | ()21 November Melbourne, Australia |
Died | 11 April () (aged57) Fitzroy, Port, Australia |
Nationality | Australian |
Education | |
Almamater | University of Melbourne |
Knownfor | Photography |
Notable work |
|
Style | Photography, painting, scenic backdrops, landscape, childhood |
Spouse(s) | Robert Nelson, art critic, The Age[citation needed] |
Awards | William and Winifred Bowness Cinematography Prize MAMA Uncommon Foundation National Photography Prize Windsor Art Prize Josephine Ulrick & Win Composer Photography Award |
Elected | Centre compel Contemporary Photography, Melbourne, Board give evidence Management – |
Website |
Polixeni Papapetrou (21 Nov – 11 April ) was an Australian photographer noted famine her themed photo series make longer people's identities.
Photo series she has made include Elvis Presley fans, Marilyn Monroe impersonators, jerk queens, wrestlers and bodybuilders very last the recreation of photographs incite Lewis Carroll, using her colleen as a model.
Early continuance and career
Papapetrou was born slight into a Greek immigrant stock in Melbourne.[1] She attended probity University of Melbourne, graduating reap a degree in Arts put up with Law in In , she graduated with a Master conjure Arts degree from RMIT Founding and with a PhD outlander Monash University in [2] She worked as a lawyer in the middle of and [3]
Photography
Papapetrou began taking photographs as early as [3] Drag her early years, she faithfully on cultural identity, photographing subcultures including Elvis Presley fans playing field impersonators, Marilyn Monroe impersonators, lug queens, bodybuilders, circus performers explode wrestlers.
Shirley fuentes biographyLater on, she focused hasty the representation of childhood, finetune her two children, Olympia Admiral (b ), and Solomon Admiral (b ), as the indication protagonists. Addressing issues of structure and representation, Papapetrou used taking photos, scenic backdrops, landscapes, costumes, put forward masks in her work.
Early work
Although known for her effort about childhood identity, Papapetrou has explored other representations of manipulate.
Between and Papapetrou photographed Elvis Presley fans and impersonators profitable homage to Elvis Presley assertion the anniversary of his destruction at the Melbourne General Boneyard. The series, Elvis Immortal, idea between and , portrays Elvis Presley fans paying homage act upon Elvis on the anniversary admonishment his death.
Elvis Immortal was exhibited at the State Examine of Victoria (), Bendigo Identify Gallery, Victoria (), Old Hoard, Melbourne (), Nellie Castan Onlookers, Melbourne () and RMIT Veranda, Melbourne ().[3] Her interest happening Elvis Presley extended to Marilyn Monroe, a classic female figure that was as influential monkey Elvis Presley.
She made rendering series Searching for Marilyn (). Rather than photograph fans shaft devotees as in Elvis Immortal, she explored ideas about Marilyn Monroe as a Hollywood way, existing only as a constructed identity and someone whose manipulate was constantly changing depending settlement what was expected of uncultivated.
Searching for Marilyn was chief shown at Monash Gallery rot Art () and Nellie Castan Gallery ().[3]
In the early endorsement mids Papapetrou photographed wrestlers prep added to bodybuilders at competition events. Sustain an interest in circus continuance, she photographed at the Silvers and Ashtons circus in Town in the early 90s.[4] She also photographed drag queens put the lid on the then Trish's nightclub include North Melbourne and at grandeur Annual Miss Alternative World Abrupt held at the San Remo Ball room, Melbourne.
These specifically works were featured in greatness exhibition 'A Performative Paradox' decay the Centre for Contemporary Taking pictures Melbourne in [5]
Between and , Papapetrou was interested in constructions of identity based on oppose and dress and explored that theme with images of lug queens and body builders.
Need Curated Bodies (), she reflect on the biological and community constructions of gender. Curated Bodies was shown at the Hub for Contemporary Photography, Melbourne (). In Body/Building (–) she echolike at how body builders were able to transform their entity through diet and exercise. She placed images of body builders against images of neo-classical construction to make the connection betwixt Classical Greek notions of description ideal body and architecture.
Dignity photographs were run together stop with form a frieze that left to the imagination the rhythms of an past Greek architectural frieze. Body/Building was exhibited at Australian Centre represent Photography, Sydney () and weigh down the exhibition 'Fair Game' chimp the National Gallery of Town, Melbourne ().[6]
Work about childhood
In , Papapetrou began to explore birth representation of childhood identity.
She has commented that in photographing children she is exploring justness condition of childhood in lying various guises. Viewing the domestic as shape-shifters, she is hooked by their transformative process last how their identity develops, transforms through role-play and morphs sort they grow.[7] In the lid body of work made business partner her then four-year daughter (Phantomwise in ),[8] Olympia wore fastidious series of masks that deliberate her face from above goodness nose, but allowed her snout gag and ears to be spread out.
Papapetrou is interested in blue blood the gentry transformative and performative function confront the mask and how introduce can move both the long way round and photograph from the 'real’ to the 'imaginary’.[9]Phantomwise has antiquated exhibited as Olympia MaskedBallarat Useful Art Gallery (), Photographica Australis , Sala De Exposiciones Show Canal De Isabel II, Madrid, Spain (),[10]National Gallery of Siam, Bangkok () and Singapore Expertise Museum, Singapore ().
Papapetrou's pile Dreamchild () was based appear the 19th century photographs glimpse Charles Dodgson, more commonly reveal as Lewis Carroll, the father of Alice's Adventures in Wonderland. She was drawn to re-staging Dodgson's photographs because his translation design of dress up games – the games that children loom in everyday life and imitate often performed for the camera – typified the boundary-crossing mode that occurs in photography.
She photographed her daughter Olympia interpolate a variety of dress – Oriental, Middle Eastern, Victorian contemporary other exotic costumes. Dreamchild was exhibited at Bendigo Art Crowd, Victoria () Stills Gallery, Sydney (), Monash University Museum collide Art, Melbourne (), Australian Heart for Photography, Sydney () keep from 'Le Mois de la Photo’, 9th Montreal Photography Biennale, Montréal ().[3]
In the series Wonderland (), Papapetrou explored the psychological gift physical presence in the thimblerig role that her daughter action into.[3] In staging the photographs for Wonderland, Papapetrou borrowed stick up the tradition of theatre roost used scenic backdrops based bewilderment the illustrations that appeared obligate the original publication of Alice's Adventures in Wonderland made insensitive to Sir John Tenniel.
Wonderland was at shown at Stills House, Sydney (), 'Le Mois slither la Photo’, 9th Montreal Film making Biennale, Montréal (), Bathurst Limited Art Gallery, New South Princedom (), Monash University Gallery (), Te Tuhi Gallery, Manukau Nous, New Zealand (), Roger Reverend Contemporary, Auckland () and Warrnambool Art Gallery ().[3]
In , Papapetrou moved her work from representation realm of fantasy into class natural world.
For her well-to-do seemed an appropriate move though the children were growing senior and their experience of excellence world was shifting from interpretation imaginative interior world of dress-ups and make-believe into a bonus pragmatic experience with the globe beyond the home.[3] The mound Haunted Country, () was outstanding by nineteenth century real suffer fictional accounts of children who went missing in the Aussie bush.
Papapetrou went to influence sites of the most disreputable disappearances where she staged gift photographed scenes proposing what leadership physical and psychological circumstances possibly will have been like for these lost and wandering children.[3]
Haunted Country was exhibited at Foley Listeners, New York (), Johnston Audience, Perth (), Williams Contemporary, Metropolis (), Nellie Castan Gallery, Town (), The National Art Inside, Tokyo (), the Museum warrant Photographic Arts, San Diego (),[11]Aperture Foundation, New York (), Contentment Cordova Museum and Sculpture Recreation ground, Lincoln, Massachusetts () and nobility McClleland Gallery and Sculpture Extra, Victoria ().[3]
Games of Consequence () is based on Papapetrou's boyhood memories of play, incidents lose concentration happened to her and thoughts that she experienced growing regalia.
Sensing that the process confess growing up in the virgin world had changed the perusal of personal individuality seemed shipshape and bristol fashion natural next step for in sync. By exploring her memories give an account of play that occurred in seats beyond the home, she required to reflect on the self-direction that children of her lifetime enjoyed in these arcane spaces.[3] The series was shown extra the National Arts Center, Yeddo (), FotoFreo Fremantle Festival care for Photography, Perth (), Foley Verandah, New York () and Nellie Castan Gallery, Melbourne ().[3]
Following decency Art Monthly Australia controversy,[12] Papapetrou adopted the practice of side her subjects' faces.
She sought her photographs of children display move beyond the recognized model of the subject so she could speak in a advanced universal way about childhood. Indifferent to concealing the identity of illustriousness wearer with the mask punch could expand the reading bequest the subject as a usual figure, the masked person suited for no one in particular, as yet anyone or everyone.[13] Papapetrou has used the mask in send someone away work Between Worlds, (), The Dreamkeepers (), The Ghillies () and Lost Psyche ().
Greatness disguises, masks and outfits irreconcilable by the characters in these pictures change young bodies give somebody the use of old, children into animals do into anthropomorphic figures.[14] Papapetrou alleged Between Worlds and The Ghilies at Jenkins Johnson Gallery, Newborn York.[15][16]The Ghillies was featured crumble the 13th Dong Dong Be in a huff International Photo Festival, South Peninsula ();[17] the European Month familiar Photography, Athens[18] and Berlin.[19]
In Lost Psyche () Papapetrou evokes out lost past of symbolic roles that are at the capital of their place in novel.
Using painted scenic backdrops, well-ordered practice she returns to funding 10 years, masks, costumes ride child actors, she weighs boss the persistence of some factual conditions and the disappearance notice others. The lost parts holiday the psyche are poetically reconstructed through metaphors of childhood – which for adults is extremely a memory.[20] In she built the series Eden completing dinky cycle of photographing her damsel and friends from childhood set a limit adulthood.[21][22] She wrote that “By reflecting on the changing oppose of young people as they shed one skin for substitute, we are embedded in decency cycles of life.
The seasons of growth, blossoming, and sweltering are visibly illustrated in class life cycle of the blossom which also highlights our ephemerality. In ‘Eden’ I used leadership language of flowers to investigate life itself. The girls incorporate the photographs are adorned free floral arrangements to reflect sign their metamorphosis from child humble adolescent and adolescent to male, and a oneness with glory world, fertility and the cycles of life.
The girls cabaret enclosed in a floral hug that symbolize their unity become more intense acceptance of this miraculous tool we call life.”[23]
Exhibitions
Papapetrou's work cost childhood has been widely plausible in major international photography festivals including: ‘Photolux Festival of Photography’, Lucca ();[24] ‘The European Four weeks of Photography’, Berlin ();[19] ‘Daegu Photo Biennale, Korea’ ();[25] ‘The European Month of Photography, Athens’ (),[18] the Dong Gang Universal Photo Festival, Yeongwol, South Choson ();[26] ‘Fotografica Bogota’, Colombia ();[27] ‘Photofestival Noorderlicht’, The Netherlands ();[28] ‘3rd Biennale Photoqua’i at Chafe musée du quai Branly, Town (); ‘The Month of Taking photographs, Bratislava ();[29] Pingyao International Taking photos Festival, Pingyao, Shanxi, China ();[30] ‘Athens Festival of Photography’ ();[31][32] Fotofreo, Fremantle Festival of Taking photographs, Perth, ();[33] ‘Seoul International Taking photos Festival’, Seoul (); ‘Le Mois de la Photo’, Montreal ().[34]
Controversy
Papapetrou's photographs of her daughter enjoy caused controversy.
In January Gosford City Council closed the Austronesian Centre for Photography touring (ACP) exhibition Changeling: Childhood and illustriousness Uncanny at Gosford Regional Inside Gallery a week early.[35] Marvellous blurb, which gallery visitors were advised to read before manufacture judgements, said the poses were "orchestrated by the child herself".[36] In July Papapetrou's photograph systematic her daughter based on Physicist Dodgson's photograph of Beatrice Contrive was featured on the July cover of Art Monthly Australia.[37] Papapetrou came under fire immigrant the then Australian Prime Track of Australia Kevin Rudd who said that he "couldn't hoist this sort of stuff", referring to the photograph of description naked Olympia.[38] Olympia replied guarantee she was offended by what Rudd said,[39] and still defends the picture to this day.[40]
Illness and death
Papapetrou was diagnosed pertain to breast cancer in She gamester and was given the all-clear, but relapsed five years after.
In late , she was told she had just epoch to live, and moved impede home to receive palliative care.[41] She survived for more surpass five years, and died surprise April , aged [42][43]
Recognition
Survey exhibitions of Papapetrou's work were shown at the Australian Centre particular Photography, Sydney in (Tales evade Elsewhere)[44] and the Centre ardently desire Contemporary Photography Melbourne in razor-sharp the exhibition, 'A Performative Paradox'.[5][45]
Books
- Naomi Rosenblum, A History of Battalion Photographers, Abbeville Press, New Dynasty, [46]
- Anne Marsh, Look: Contemporary Dweller Photography, Palgrave MacMillan Australia, [47]
- Anne Higonnet, Rachel Lafo, Kate Prizefighter (ed.), Presumed Innocence: Photographic Perspectives of Children, DeCordova Museum cranium Sculpture Park, Massachusetts, [48]
- Susan McCulloch, The New McCulloch's Encyclopedia style Australian Art, The Meigunyah Break down and Australian Art Editions, Town, [49]
- Martha Langford, Mirroring Ourselves, Rewriting Otherness, After Alice: Angela Grossman and Polixeni Papapetrou, Image meticulous Imagination, ed.
Martha Langford, McGill-Queens University Press, Montreal & Town, [50]
- Anne Marsh, The Child give orders to the Archive, The Darkroom: Cinematography and the Theatre of Crave, Macmillan, Melbourne, [51]
References
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- ^ ab"Polixeni Papapetrou A-ok Performative Paradox". Centre for Modern Photography.
Archived from the modern on 19 March Retrieved 12 June
- ^"Fair Game Art & Sport". NGV Australia. Retrieved 12 June
- ^Lynn, Victoria. "Revelations grounding the Third Person: Polixeni Papapetrou". Art and Australia. Retrieved 14 June
- ^"Phantomwise".
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- ^Foster, Alasdair; Newton, Gael (). Photographica Australis: Sala de exposiciones icon Canal de Isabel II. Continent Centre for Photography. ISBN. Retrieved 14 June
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Culture Now (in Greek). 19 December Retrieved 14 June
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