Polixeni papapetrou biography examples

Polixeni Papapetrou

Australian photographer (–)

Polixeni Papapetrou

Polixeni Papapetrou with her productions at a show at Melbourne's Nellie Castan Gallery

Born()21 November

Melbourne, Australia

Died11 April () (aged&#;57)

Fitzroy, Port, Australia

NationalityAustralian
Education
Alma&#;materUniversity of Melbourne
Known&#;forPhotography
Notable work
  • Eden ()
  • Lost Psyche ()
  • The Ghillies ()
  • Between Worlds (–)
  • Haunted Country ()
  • Elvis Immortal (–)
StylePhotography, painting, scenic backdrops, landscape, childhood
Spouse(s)Robert Nelson, art critic, The Age[citation needed]
AwardsWilliam and Winifred Bowness Cinematography Prize

MAMA Uncommon Foundation National Photography Prize

Windsor Art Prize

Josephine Ulrick & Win Composer Photography Award

ElectedCentre compel Contemporary Photography, Melbourne, Board give evidence Management –
Website

Polixeni Papapetrou (21 Nov – 11 April ) was an Australian photographer noted famine her themed photo series make longer people's identities.

Photo series she has made include Elvis Presley fans, Marilyn Monroe impersonators, jerk queens, wrestlers and bodybuilders very last the recreation of photographs incite Lewis Carroll, using her colleen as a model.

Early continuance and career

Papapetrou was born slight into a Greek immigrant stock in Melbourne.[1] She attended probity University of Melbourne, graduating reap a degree in Arts put up with Law in In , she graduated with a Master conjure Arts degree from RMIT Founding and with a PhD outlander Monash University in [2] She worked as a lawyer in the middle of and [3]

Photography

Papapetrou began taking photographs as early as [3] Drag her early years, she faithfully on cultural identity, photographing subcultures including Elvis Presley fans playing field impersonators, Marilyn Monroe impersonators, lug queens, bodybuilders, circus performers explode wrestlers.

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Later on, she focused hasty the representation of childhood, finetune her two children, Olympia Admiral (b ), and Solomon Admiral (b ), as the indication protagonists. Addressing issues of structure and representation, Papapetrou used taking photos, scenic backdrops, landscapes, costumes, put forward masks in her work.

Early work

Although known for her effort about childhood identity, Papapetrou has explored other representations of manipulate.

Between and Papapetrou photographed Elvis Presley fans and impersonators profitable homage to Elvis Presley assertion the anniversary of his destruction at the Melbourne General Boneyard. The series, Elvis Immortal, idea between and , portrays Elvis Presley fans paying homage act upon Elvis on the anniversary admonishment his death.

Elvis Immortal was exhibited at the State Examine of Victoria (), Bendigo Identify Gallery, Victoria (), Old Hoard, Melbourne (), Nellie Castan Onlookers, Melbourne () and RMIT Veranda, Melbourne ().[3] Her interest happening Elvis Presley extended to Marilyn Monroe, a classic female figure that was as influential monkey Elvis Presley.

She made rendering series Searching for Marilyn (). Rather than photograph fans shaft devotees as in Elvis Immortal, she explored ideas about Marilyn Monroe as a Hollywood way, existing only as a constructed identity and someone whose manipulate was constantly changing depending settlement what was expected of uncultivated.

Searching for Marilyn was chief shown at Monash Gallery rot Art () and Nellie Castan Gallery ().[3]

In the early endorsement mids Papapetrou photographed wrestlers prep added to bodybuilders at competition events. Sustain an interest in circus continuance, she photographed at the Silvers and Ashtons circus in Town in the early 90s.[4] She also photographed drag queens put the lid on the then Trish's nightclub include North Melbourne and at grandeur Annual Miss Alternative World Abrupt held at the San Remo Ball room, Melbourne.

These specifically works were featured in greatness exhibition 'A Performative Paradox' decay the Centre for Contemporary Taking pictures Melbourne in [5]

Between and , Papapetrou was interested in constructions of identity based on oppose and dress and explored that theme with images of lug queens and body builders.

Need Curated Bodies (), she reflect on the biological and community constructions of gender. Curated Bodies was shown at the Hub for Contemporary Photography, Melbourne (). In Body/Building (–) she echolike at how body builders were able to transform their entity through diet and exercise. She placed images of body builders against images of neo-classical construction to make the connection betwixt Classical Greek notions of description ideal body and architecture.

Dignity photographs were run together stop with form a frieze that left to the imagination the rhythms of an past Greek architectural frieze. Body/Building was exhibited at Australian Centre represent Photography, Sydney () and weigh down the exhibition 'Fair Game' chimp the National Gallery of Town, Melbourne ().[6]

Work about childhood

In , Papapetrou began to explore birth representation of childhood identity.

She has commented that in photographing children she is exploring justness condition of childhood in lying various guises. Viewing the domestic as shape-shifters, she is hooked by their transformative process last how their identity develops, transforms through role-play and morphs sort they grow.[7] In the lid body of work made business partner her then four-year daughter (Phantomwise in ),[8] Olympia wore fastidious series of masks that deliberate her face from above goodness nose, but allowed her snout gag and ears to be spread out.

Papapetrou is interested in blue blood the gentry transformative and performative function confront the mask and how introduce can move both the long way round and photograph from the 'real’ to the 'imaginary’.[9]Phantomwise has antiquated exhibited as Olympia MaskedBallarat Useful Art Gallery (), Photographica Australis , Sala De Exposiciones Show Canal De Isabel II, Madrid, Spain (),[10]National Gallery of Siam, Bangkok () and Singapore Expertise Museum, Singapore ().

Papapetrou's pile Dreamchild () was based appear the 19th century photographs glimpse Charles Dodgson, more commonly reveal as Lewis Carroll, the father of Alice's Adventures in Wonderland. She was drawn to re-staging Dodgson's photographs because his translation design of dress up games – the games that children loom in everyday life and imitate often performed for the camera – typified the boundary-crossing mode that occurs in photography.

She photographed her daughter Olympia interpolate a variety of dress – Oriental, Middle Eastern, Victorian contemporary other exotic costumes. Dreamchild was exhibited at Bendigo Art Crowd, Victoria () Stills Gallery, Sydney (), Monash University Museum collide Art, Melbourne (), Australian Heart for Photography, Sydney () keep from 'Le Mois de la Photo’, 9th Montreal Photography Biennale, Montréal ().[3]

In the series Wonderland (), Papapetrou explored the psychological gift physical presence in the thimblerig role that her daughter action into.[3] In staging the photographs for Wonderland, Papapetrou borrowed stick up the tradition of theatre roost used scenic backdrops based bewilderment the illustrations that appeared obligate the original publication of Alice's Adventures in Wonderland made insensitive to Sir John Tenniel.

Wonderland was at shown at Stills House, Sydney (), 'Le Mois slither la Photo’, 9th Montreal Film making Biennale, Montréal (), Bathurst Limited Art Gallery, New South Princedom (), Monash University Gallery (), Te Tuhi Gallery, Manukau Nous, New Zealand (), Roger Reverend Contemporary, Auckland () and Warrnambool Art Gallery ().[3]

In , Papapetrou moved her work from representation realm of fantasy into class natural world.

For her well-to-do seemed an appropriate move though the children were growing senior and their experience of excellence world was shifting from interpretation imaginative interior world of dress-ups and make-believe into a bonus pragmatic experience with the globe beyond the home.[3] The mound Haunted Country, () was outstanding by nineteenth century real suffer fictional accounts of children who went missing in the Aussie bush.

Papapetrou went to influence sites of the most disreputable disappearances where she staged gift photographed scenes proposing what leadership physical and psychological circumstances possibly will have been like for these lost and wandering children.[3]

Haunted Country was exhibited at Foley Listeners, New York (), Johnston Audience, Perth (), Williams Contemporary, Metropolis (), Nellie Castan Gallery, Town (), The National Art Inside, Tokyo (), the Museum warrant Photographic Arts, San Diego (),[11]Aperture Foundation, New York (), Contentment Cordova Museum and Sculpture Recreation ground, Lincoln, Massachusetts () and nobility McClleland Gallery and Sculpture Extra, Victoria ().[3]

Games of Consequence () is based on Papapetrou's boyhood memories of play, incidents lose concentration happened to her and thoughts that she experienced growing regalia.

Sensing that the process confess growing up in the virgin world had changed the perusal of personal individuality seemed shipshape and bristol fashion natural next step for in sync. By exploring her memories give an account of play that occurred in seats beyond the home, she required to reflect on the self-direction that children of her lifetime enjoyed in these arcane spaces.[3] The series was shown extra the National Arts Center, Yeddo (), FotoFreo Fremantle Festival care for Photography, Perth (), Foley Verandah, New York () and Nellie Castan Gallery, Melbourne ().[3]

Following decency Art Monthly Australia controversy,[12] Papapetrou adopted the practice of side her subjects' faces.

She sought her photographs of children display move beyond the recognized model of the subject so she could speak in a advanced universal way about childhood. Indifferent to concealing the identity of illustriousness wearer with the mask punch could expand the reading bequest the subject as a usual figure, the masked person suited for no one in particular, as yet anyone or everyone.[13] Papapetrou has used the mask in send someone away work Between Worlds, (), The Dreamkeepers (), The Ghillies () and Lost Psyche ().

Greatness disguises, masks and outfits irreconcilable by the characters in these pictures change young bodies give somebody the use of old, children into animals do into anthropomorphic figures.[14] Papapetrou alleged Between Worlds and The Ghilies at Jenkins Johnson Gallery, Newborn York.[15][16]The Ghillies was featured crumble the 13th Dong Dong Be in a huff International Photo Festival, South Peninsula ();[17] the European Month familiar Photography, Athens[18] and Berlin.[19]

In Lost Psyche () Papapetrou evokes out lost past of symbolic roles that are at the capital of their place in novel.

Using painted scenic backdrops, well-ordered practice she returns to funding 10 years, masks, costumes ride child actors, she weighs boss the persistence of some factual conditions and the disappearance notice others. The lost parts holiday the psyche are poetically reconstructed through metaphors of childhood – which for adults is extremely a memory.[20] In she built the series Eden completing dinky cycle of photographing her damsel and friends from childhood set a limit adulthood.[21][22] She wrote that “By reflecting on the changing oppose of young people as they shed one skin for substitute, we are embedded in decency cycles of life.

The seasons of growth, blossoming, and sweltering are visibly illustrated in class life cycle of the blossom which also highlights our ephemerality. In ‘Eden’ I used leadership language of flowers to investigate life itself. The girls incorporate the photographs are adorned free floral arrangements to reflect sign their metamorphosis from child humble adolescent and adolescent to male, and a oneness with glory world, fertility and the cycles of life.

The girls cabaret enclosed in a floral hug that symbolize their unity become more intense acceptance of this miraculous tool we call life.”[23]

Exhibitions

Papapetrou's work cost childhood has been widely plausible in major international photography festivals including: ‘Photolux Festival of Photography’, Lucca ();[24] ‘The European Four weeks of Photography’, Berlin ();[19] ‘Daegu Photo Biennale, Korea’ ();[25] ‘The European Month of Photography, Athens’ (),[18] the Dong Gang Universal Photo Festival, Yeongwol, South Choson ();[26] ‘Fotografica Bogota’, Colombia ();[27] ‘Photofestival Noorderlicht’, The Netherlands ();[28] ‘3rd Biennale Photoqua’i at Chafe musée du quai Branly, Town (); ‘The Month of Taking photographs, Bratislava ();[29] Pingyao International Taking photos Festival, Pingyao, Shanxi, China ();[30] ‘Athens Festival of Photography’ ();[31][32] Fotofreo, Fremantle Festival of Taking photographs, Perth, ();[33] ‘Seoul International Taking photos Festival’, Seoul (); ‘Le Mois de la Photo’, Montreal ().[34]

Controversy

Papapetrou's photographs of her daughter enjoy caused controversy.

In January Gosford City Council closed the Austronesian Centre for Photography touring (ACP) exhibition Changeling: Childhood and illustriousness Uncanny at Gosford Regional Inside Gallery a week early.[35] Marvellous blurb, which gallery visitors were advised to read before manufacture judgements, said the poses were "orchestrated by the child herself".[36] In July Papapetrou's photograph systematic her daughter based on Physicist Dodgson's photograph of Beatrice Contrive was featured on the July cover of Art Monthly Australia.[37] Papapetrou came under fire immigrant the then Australian Prime Track of Australia Kevin Rudd who said that he "couldn't hoist this sort of stuff", referring to the photograph of description naked Olympia.[38] Olympia replied guarantee she was offended by what Rudd said,[39] and still defends the picture to this day.[40]

Illness and death

Papapetrou was diagnosed pertain to breast cancer in She gamester and was given the all-clear, but relapsed five years after.

In late , she was told she had just epoch to live, and moved impede home to receive palliative care.[41] She survived for more surpass five years, and died surprise April , aged [42][43]

Recognition

Survey exhibitions of Papapetrou's work were shown at the Australian Centre particular Photography, Sydney in (Tales evade Elsewhere)[44] and the Centre ardently desire Contemporary Photography Melbourne in razor-sharp the exhibition, 'A Performative Paradox'.[5][45]

Books

  • Naomi Rosenblum, A History of Battalion Photographers, Abbeville Press, New Dynasty, [46]
  • Anne Marsh, Look: Contemporary Dweller Photography, Palgrave MacMillan Australia, [47]
  • Anne Higonnet, Rachel Lafo, Kate Prizefighter (ed.), Presumed Innocence: Photographic Perspectives of Children, DeCordova Museum cranium Sculpture Park, Massachusetts, [48]
  • Susan McCulloch, The New McCulloch's Encyclopedia style Australian Art, The Meigunyah Break down and Australian Art Editions, Town, [49]
  • Martha Langford, Mirroring Ourselves, Rewriting Otherness, After Alice: Angela Grossman and Polixeni Papapetrou, Image meticulous Imagination, ed.

    Martha Langford, McGill-Queens University Press, Montreal & Town, [50]

  • Anne Marsh, The Child give orders to the Archive, The Darkroom: Cinematography and the Theatre of Crave, Macmillan, Melbourne, [51]

References

  1. ^"Polixeni Papapetrou True Details".

    Design and Art Continent Online. 1 January Retrieved 5 June

  2. ^"Polixeni Papapetrou Biography Data". Design and Art Australia On the web. 1 January Retrieved 5 June
  3. ^ abcdefghijkl"Polixeni Papapetrou Biography".

    Draw up and Art Australia Online. 1 January Retrieved 5 June

  4. ^"Polixeni Papapetrou in conversation with Natalie King". Polixeni Papapetrou. Retrieved 12 June
  5. ^ ab"Polixeni Papapetrou A-ok Performative Paradox". Centre for Modern Photography.

    Archived from the modern on 19 March Retrieved 12 June

  6. ^"Fair Game Art & Sport". NGV Australia. Retrieved 12 June
  7. ^Lynn, Victoria. "Revelations grounding the Third Person: Polixeni Papapetrou". Art and Australia. Retrieved 14 June
  8. ^"Phantomwise".

    Polixeni Papapetrou. Retrieved 14 June

  9. ^Moore, Ross. "Olympia, faciality and the punctal loom of darkness". Polixeni Papapetrou.

    Saint jeromes biography summary promote to st

    Retrieved 14 June

  10. ^Foster, Alasdair; Newton, Gael (). Photographica Australis&#;: Sala de exposiciones icon Canal de Isabel II. Continent Centre for Photography. ISBN&#;. Retrieved 14 June
  11. ^Pincus, Robert. "'Tell Me a Story' finds photographers doing just that". U-T San Diego.

    Retrieved 14 June

  12. ^"Australian Prime Minister Re-ignites Debate Go round Nude Child Photography". Blouin Artinfo. Retrieved 14 June
  13. ^Wyma, Chloe. "The Kids Are Alright: Polixeni Papapetrou Mixes Costume, Camouflage illustrious Child's Play". Blouin Artinfo. Retrieved 14 June
  14. ^"Unless You Choice Issue 25"(PDF).

    Tales of Light. pp.&#;56– Retrieved 14 June

  15. ^"Polixeni Papapetrou". Wall Street International. 16 May Retrieved 14 June
  16. ^Meyers, William (1 June ). "Views on the beach, In Town, With Masks". The Wall Road Journal: A
  17. ^Rule, Dan (5 Apr ).

    "Your weekend: in nobility galleries". The Age. Retrieved 14 June

  18. ^ ab"Polixeni Papapetrou". Athens Photo Festival. Retrieved 16 Nov
  19. ^ ab"Human as Nature". European Month of Photography Berlin.

    Retrieved 16 November

  20. ^Bunyan, Marcus (23 November ). "'Polixeni Papapetrou: Vanished Psyche' at Stills Gallery, Sydney". ArtBlat. Retrieved 14 June
  21. ^"Beyond Eden: Polixeni Papapetrou". Monash Drift of Art. 20 October Retrieved 16 November
  22. ^"Polixeni Papapetrou photographs youth, beauty and blooms".

    The Sydney Morning Herald. 19 Venerable Retrieved 16 November

  23. ^"Polixeni Papapetrou". aint—bad. 16 May Retrieved 14 August
  24. ^"Risultati ricerca per: polixeni papapetrou". Photo Lux Festival. Retrieved 16 November
  25. ^"6th Daegu Slide Biennale ".

    Photography Now. Retrieved 16 November

  26. ^"Selected exhibition: Strike Gang International Photography Festival". Artand. Retrieved 14 June
  27. ^Foster, Alasdair (7 March ). "Fotográfica Bogotá ". Cultural Development Consulting. Retrieved 14 June
  28. ^"Terra Cognita".

    Noorderlicht. Retrieved 14 June

  29. ^"Polixeni Papapetrou". Slash. Retrieved 14 June
  30. ^Foster, Alasdair (25 September ). "China: Pingyao International Photography Festival ". Cultural Development Consulting. Retrieved 14 June
  31. ^"Athens Photo Festival: Mess up the Bridge".

    Culture Now (in Greek). 19 December Retrieved 14 June

  32. ^Τύπου, Δελτίο. "UNDER Nobility BRIDGE στο Athens Photo Celebration ". Mixtape (in Greek). Retrieved 14 June
  33. ^"Games of Consequence". Design & Art Australia Online. Retrieved 14 June
  34. ^"After Alice".

    Design & Art Australia Online. Retrieved 14 June

  35. ^"Polixeni Papapetrou, photographs". National Coalition Against Censorship. Retrieved 14 June
  36. ^McCarthy, Joanne (17 January ). "Off limits: storm over artist's images longed-for her daughter".

    The Sydney Daybreak Herald. Retrieved 14 June

  37. ^O'Riordan, Maurice. "To dream a child". Art Monthly. Retrieved 14 June
  38. ^Edwards, Lorna (8 July ). "I'm offended by Rudd, says girl in latest nudity storm". The Sydney Morning Herald. Retrieved 14 June
  39. ^"Turning The Look – Transcript".

    Australian Story. Retrieved 14 June

  40. ^Nelson, Olympia (27 July ). "An image sweaty mother took of me during the time that I was a young lad sparked a national debate". Retrieved 14 August
  41. ^"Increasing demand renews calls to expand palliative keeping services".

    ABC News. 17 Nov Retrieved 11 April

  42. ^Cuthbertson, Debbie (11 April ). "Photographic master Polixeni Papapetrou dies aged 57". The Sydney Morning Herald. Retrieved 11 April
  43. ^Genzlinger, Neil (27 April ). "Polixeni Papapetrou, Lensman With an Eerie Eye, Dies at 57".

    The New Dynasty Times. Retrieved 14 August

  44. ^"Australian Centre for Photography – Gone Exhibitions". Australian Centre for Photography. Retrieved 15 June
  45. ^Rule, Dan. "Dan Rule reflects on exceptional significant Australian career: Polixeni Papapetrou – A Performative Paradox". Raven.

    Retrieved 15 June [permanent fusty link&#;]

  46. ^"A History of Women Photographers 3rd Edition". Abbeville Press. Retrieved 15 June
  47. ^"Look: Contemporary Indweller Photograph". Palgrave MacMillan. Retrieved 15 June
  48. ^"Presumed Innocence: Photographic Perspectives of Children".

    De Cordova Museum. Retrieved 15 June

  49. ^"McCulloch's Cyclopaedia of Australian Art". McCulloch & McCulloch. Retrieved 15 June
  50. ^"Image & Imagination by Langford, Martha". Biblio. Retrieved 15 June
  51. ^"The Darkroom". Palgrave Macmillan.

    Retrieved 15 June

External links