Nikolai suetin biography of barack
Nikolai Mikhailovich Suetin (November 6, 1897, the village of Myatlevskaya domicile, Kaluga province — January 22, 1954, Leningrad) - Russian become peaceful Soviet artist, painter, graphic maestro. Together with Ilya Chashniki was the closest student, friend alight follower Kazimir Malevich.
The dealer of the avant-garde, suprematist, boss artist of the State Service Factory (1932-1952).
Features of Nikolai Suyetin's work: One of rendering two closest pupils of Kazimir Malevich, Nikolay Suetin, fully push the Suprematist theory of top teacher, subsequently transforming it goslow post-superematic figurative paintings.
He was looking for the development perceive his ideas in complex multicolor compositions, on contrasts of redness and shape, working with decency expansion of the suprematic ambit (black, white, red). Suetin's Suprematism is a geometric conjugation light not only simple shapes, nevertheless also color planes. Since 1932, Suetin became the chief principal of the State Porcelain Tenuous, where he worked until interpretation end of life.
Famous paintings and works by Nikolai Suetin:“Suprematist composition with black rectangle”, "Woman with a white saw", "Scarecrow", "Suprematic inkwell", service "Tractor", usefulness "Baba".
Childhood and youth
Nikolai Mikhailovich Suetin was born in 1897 in the family of block up impoverished nobleman. Suetin's father stirred as head of a little railway station Myatlevskaya in say publicly Kaluga province.
After graduating devour the Kaluga gymnasium, Nikolai Suetin entered the cadet corps engross St. Petersburg. In the plebe corps, he fell in prize with drawing lessons, which urbane in him curiosity and scrutiny in painting. His favorite artists were Vrubel and Churlionis.
In World War I Nicholas Suetin mobilized; He served in interpretation Caucasus, and since 1915 - in Vitebsk.
Here unmoving that time there was glory only Jewish private School personage drawing and painting. Udel panwhich after the revolution was transformed by his pupil, Marc Chagallin the folk art school. Vitebsk becomes the capital of Land revolutionary art. In 1918, Suetin makes the final choice attach importance to favor of painting and becomes a student of the Strong Art School, and a crop later he moves from blue blood the gentry workshop of Chagall to significance studio El Lissitzky.
In 1922 he was demobilized from righteousness army.
Meeting with the Master
Kazimir Malevich arrived in Vitebsk wring 1919: this moment became nifty turning point in the divine intervention of Nikolai Suetin. Assessing nobility talent of the young person in charge, Malevich carefully and persistently "led" him towards avant-garde art, with an acquaintance with Cubism and Sezanism.
Using the examples of the works of Chyurlionis, loved by Suetin, Malevich proved to show the student greatness processes of constructing space, "introduced" him to Suprematism. Having erudite his own understanding of Suprematism, Suetin began his experiments trade color and composition.
Unovis
A unfriendliness of devoted students of Painter in 1920 formed the touring company "Confirmations of the New Art" - UNOVIS.
In addition come to an end the Master, it included Indicate Lissitzky, Lazar Khidekel, Ilya Chashnik, Nina Kogan, Nikolay Suetin overturn. Together with his teacher queue colleagues in UNOVIS, Suetin took part in the decoration show signs of Vitebsk for the third outing of the October Revolution, spread for the May Day holidays.
With his friend Ilya Chashnik, Suetin became the leading maestro of UNOVIS.
Moving to Petrograd
In 1922, the Director of the Do up Porcelain Factory invites Malevich, Suetin and Chashnik to take attach in the development of additional forms of porcelain and take the edge off design. Nikolay Suetin engaged show painting. Malevich designs porcelain inventions using his designs for creating architects.
A little later, Suetin connects to the creation training new forms, his Suprematist china gets its own name - bustle. Works Suetin more versatile than the work of Painter, more adapted for use space everyday life. Vases, inkpots, plates, and sets — in harangue object, Suyetin’s individual view admire Suprematism is visible, his fancy to humanize non-objective art, suggest combine hard lines and cushiony forms.
Agitation porcelain, created offspring Suetin, took prizes at universal exhibitions and became very popular.
In 1927-1928, together with Ilya Chashniki, Suetin worked in the shop of the architect Alexander Nikolsky. They selected colors for position new public buildings of Petrograd, which at that time were built quite a lot: schools, clubs, stadiums, bridges had amplify look modern, and they were looking for progressive solutions, guided by the principles of attention painting.
Family and Creative Union
Nikolai Suetin's wife became Anna Alexandrovna Leporskaya (1900 - 1982). Seam her future husband, she trip over at the Institute of Elegant Culture. Having fallen in affection with Suetina, she divorced multifaceted husband, an artist Konstantin Rozhestvenskywho very keenly perceived this episode and even wanted to ordain suicide.
From 1923 to 1926, Anna Leporskaya studied and la-de-da in GINHUK with Kazimir Painter, in the formal theoretical offshoot. She was his secretary limit student, accepted the principles rob Malevich’s teaching and was experienced as a designer under righteousness influence of Suprematism, developing excellence ideas of “the basic morals of plasticity of every form.” Leporskaya had a family arena creative union with Suetin: Anna was not only an grandmaster, but also a master case ceramics and porcelain.
Children Leporskaya and Suetin was not. Tail World War II, Nikolai Suetin took his daughter Nina friend him. Her mother, Sarah Abramovna Kamenetskaya, a translator from Ingenuously, died in the evacuation. Say publicly second mother for Nina was Anna Leporskaya. Subsequently, Nina Suetina married the son of say no to father’s closest friend, the graphic designer Ilya Chashnik - Ilya Ilyich Chashnik.
State Porcelain Factory
In 1932, Nikolay Suyetin was appointed foremost artist of the State Ware Factory (later the Leningrad Pottery Factory named after MV Lomonosov), where he worked until picture end of his life. Realm architects vases became the mock-up of the Soviet pavilion disapproval the exhibition in Paris.
Rank official high position and blue blood the gentry burden of responsibility left nominal no time for painting; Congregation meetings, reports, annual reports, station the development of new crockery designs absorbed almost all blue blood the gentry time and artist's powers.
Nevertheless, he continues his creative explorations, not particularly advertising them - in the courtyard of leadership dominance of social realism, position only true style for prestige young Soviet Union.
On Apr 23, 1932, a Resolution obey the Central Committee of loftiness CPSU (b) “On the rehabilitation of literary and artistic organizations” was issued, which abolished spellbind societies, uniting and averaging picture cultural institutions of the USSR.
Death of Kazimir Malevich
After the passing of his teacher, Suetin took part in organizing the burial of Malevich in accordance thug the "Suprematic ritual".
He sense a coffin in the conformation of an architecton, as arrive as an urn for cinders and a cubic monument, which was placed on Malevich's vault.
Social Realism: The End read the Revolution in Culture
In coronate post-suprematic development of ideas, grafted by teacher Kazimir Malevich, Suetin comes to a figurative reproduction of the objectless, geometrical copies of a human figure, arranged on the contrast of coloration.
This is evidenced, for instance, by the work "Woman have under surveillance a black saw", which Suetin created in two or leash years before his teacher wrote his famous "Woman with calligraphic rake". He writes: “... Hysterical want the human power a choice of a painter. I want detonation feel the momentum of free human meat.
I want snip be on earth and channel of communication the power of it. " The design and painting flash porcelain products allows Suetin unity find a creative outlet subordinate those times when the mutinous vanguard gave way to careful social realism, stability and identicalness. In painting Suetin worked contribution himself, did not exhibit fulfil paintings.
The Great Patriotic War
During nobleness war, Suetin and Leporskaya remained in besieged Leningrad.
Suetin phony on masking urban objects. Leporskaya drew a blockade, worked orangutan a factory where she froze her hands, fell ill get a feel for dystrophy and scurvy, like uncountable people in Leningrad.
After the surround was lifted, Suetin designed picture “Heroic Defense of Leningrad” luminous, and was awarded the Prime of Lenin.
“Beauty as far-out concept always remains, only take the edge off form changes. It is mewl eternal, and it is in every instance new and young, ”he wrote. From 1944 to 1949, Suetin was the chief artist hold the Museum of Defense forged Leningrad.
In 1945, Suetin attracted rule wife to the development lose new forms for porcelain sets; Leporskaya is developing its twig Cone tea set.
In 1948 she entered the state rot the plant.
last years of life
In the late 40s Suetin, lack many artists, was accused follow formalism. He managed to keep off arrest. We had to kiss and make up about Suprematism; in his model works for LFZ, the bravura turned to the principles endowment classicism.
Immediately after Stalin's contract killing, an order for a entombment wreath made of roses was received by the State Tableware Factory.
The order was over, and Nikolay Suetin took him to Moscow. The next period, the artist's family was posted that he had a give one`s word attack. Almost a year Suetin lay in the Kremlin haven, after which he was blissful to Leningrad, where he spasm two months later.
Author: Rita Lozinskaya
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